Standing next to the brick wall the music from the stage vibrated her body like gelatin. Her internal organs competed with the beat for their own rhythm. The drums and bass were loud- body loud. The ears could not hear this. Only the body was listening – moving fluids, flesh and bone.
From Artwork Description
HUMAN STEPS
HUMAN: adjective, have, or relating, to characteristics of people. STEPS: noun, plural, the act of putting one foot in front of the other.
HUMAN STEPS is a dialog, which references the many disparate elements encountered in daily urban life – a metaphor for the way in which dark affects light and vice versa, how the sweet can become sickly if overdone and how close proximity to millions of people, diverse cultures and visual images can both inspire and overwhelm. It is a metaphor for tight quarters, pleasant or not so pleasant meetings and vibrant energy of the city in contrast to shadowy and emotionally difficult places.
For HUMAN STEPS, I use what most people consider garbage as a jumping off place in the work. The materials at one point might have been utilitarian, but were never considered beautiful. The hard, shiny, plastic surfaces often synonymous to commercial objects, would never pass inspection as such. Dirt falls onto the canvases, scratches, cracks, marks occur and there are no straight lines, only the illusion of such. Through the act of turning detritus into “works of art”, or elevating the prestige of garbage, I aim to question the status quo of beauty, worthiness and usability.
Connie Noyes – HARMONY-DISCORD
HARMONY-DISCORD, 2008
I saw Connie Noyes at the Zhou Brothers Art Center, July 2010